Full screen version of the visuals created for the performance of “Human” by Rag n Bone Man. Inset is the original broadcast.

Video

On the 10th of June 2017,  I was commissioned by Stefan Goodchild and his company Triple Geek to create an image to be displayed on stage at Wembley Stadium. It was animated behind the singer Rag ‘N’ Bone Man. Stefan Goodchild  has previously worked with the likes of Peter Gabriel, LCD Soundsystem, Queen, Pet Shop Boys, and Florence and the Machine.

Live footage and audio from youtube.com/watch?v=5FpQ8vPnjCk

The Plough Arts Centre Open Drawing Competition Exhibition

open drawing 2015

The Plough Arts Centre open drawing competition exhibition Poster

Hadaway new copy

‘Hadaway’ Gouache on A3 watercolour paper

‘Hadaway’ is included in this exhibition which runs until the 24th of October. I hope you get a chance to see it.

Slow Abstraction Exhibition In Plymouth

I am exhibiting ‘Eyen’ at the Plymouth School of Creative Arts as part of the Plymouth Art Weekender along with Stephen Park, Robert Manners and Mark Jessett.

“Sarah Hoskins, Mark Jessett, Robert Manners and Stephen Park recognised shared concerns when finding each others work in various local exhibitions in 2014.
Their work is highly individual yet has much in common.Their practice is painterly but it does not reside in tradition; their paintings are developed and crafted, whilst avoiding the cliches of familiar technique. Above all, each artist’s work is assertively itself and not an imitation of something else.”

‘Eyen’ Gouache on Moulin du Gue paper 89 x 60cm

‘Eyen’ Gouache on Moulin du Gue paper 89 x 60cm

Interview For The Square Club, Bristol

Artist Interview – Sarah Hoskins

me studio copy

As part of our current Square gallery exhibition titled ‘Finding Form’ that is showcasing the work of Sarah Hoskins and Stephen Park we asked Sarah a few questions about her practice and arts career so far. You can read her answers below: 

1) You graduated from Wimbledon School of Art and then completed a Post-Graduate at the Cyprus College of Art – what are the main ways that your arts education influenced your practice?

I spent 9 months in Cyprus doing my Post-Graduate Diploma. The late Stass Paraskos was the Principle; he belonged to an earlier era. He was unselfconscious and had retained his naive enthusiasm. Technically not a tutor, but there everyday and working alongside us he rekindled an attitude in me towards ‘making’ as a primary thing which I had lost at Wimbledon. I had gained a lot from being there but I had also acquired an unhelpful internal voice and this was shut down in Cyprus. That was a turning point.

2) Since graduating you have exhibited in the UK and internationally – please can you tell us about any shows you’ve been a part of that really stand out for you and why?

In 2010 I returned to the Cyprus College of Art as a resident artist. I stayed on to become the head of their Foundation course, so I was there for three years in total. My current working methods and obsessions were born during this time. My first public exhibition of this work was in the college gallery not long before I returned to England, and was very well received. There was something very complete and satisfying about this whole episode from inception to exhibiting.

3) Have you always worked in colour?

Yes, I find it hard not to use colour. Colours transform each other and surprise me. I always enjoy this and it is inexhaustible.

4) What is it about shape and form that interests you?

I think ‘interest’ is the wrong word. It’s more of a compulsion. An involvement that is a bit like solving puzzles, but it is driven by a desire to make something that is new and whole that wasn’t there before. I think of my pictures as things that grow, like a tree or an aubergine.

Criticality

5) Who/ what are your main influences when making new work?

In the past I worked through the influences of different artists. Many were obvious like Picasso and Matisse, others less so. The most recent was Jessica Stockholder, but these days I am more influenced by my garden, which is actually a cluster of potted plants outside my house.

6) Why do you choose gouache as a medium? 

Gouache suits my work because it is clean, flat, matt and you can overlay it without losing opacity.

7) In the current Square exhibition ‘Finding Form’ your work is presented alongside Stephen Park’s – how do you feel this pairing invites new readings of your work? Is this the first time you have exhibited in the same show?

We have an understanding of what the other is doing and I think our work is complementary. Exhibiting together feels like a natural thing to do.

Yokeless

8) Do you have any upcoming exhibitions/ how do you envisage your practice developing in the future?

My pictures are very time consuming to make, so I don’t expect to exhibit until early next year, except for opening my studio in September. I am beginning to explore the possibility of working on a larger scale and perhaps working in oil paint.

**All works in the exhibition are for sale and can be viewed from 10am – 6pm daily. With sales enquiries please email: nicol.phillips@thesqaureclub.com.**

Opening Night at The Square Club in Bristol

Spring Art Preview

Date/Time
Date(s) – 29/04/2015
6:00 pm – 9:00 pm

Preview: Wednesday 29 April, 6 – 9pm – FREE and everyone welcome. Please RSVP: nicol.phillips@thesquareclub.com

We are delighted to invite you to our Spring Art Preview at the Square. As the sun is showing its lovely warm face again we are excited to be opening a new exhibition showcasing the artwork of Sarah Hoskins and Stephen Park in the exhibition Finding Form. During the event there will be complimentary Prosecco and live music!

Garden - Stephen Park

Sarah and Stephen’s debut at the Square Club brings together their passion for deconstructing form into component parts before reassembling to present a new, distorted outcome. Stephen manipulates a monochrome pallet while Sarah’s work is confidently colourful; both artists examining an often complex interplay between: curves, angles, scale, orientation, and spatial push and pull.

Criticality - Sarah Hoskins

In his early career Stephen Park was included in exhibitions at the Institute of Contemporary Arts (London, UK) and the Serpentine Gallery (London, UK). He was an artist in the ‘Freeze’ exhibition curated by Damien Hirst in 1988. Throughout his career he has taught and delivered workshops at various places including Dartmoor Arts Summer School and The Royal College of Art (London, UK).

Pannonica - Stephen Park

Sarah Hoskins graduated from Wimbledon School of Art (London, UK) in 1996, then completed a Post-Graduate diploma at the Cyprus College of Art in 2002. Since then she has exhibited widely throughout the UK, and internationally.

Runghead - Sarah Hoskins

DETAILS:

Sarah Hoskins and Stephen Park – ‘Finding Form’

Preview: Wednesday 29 April, 6 – 9pm – FREE and everyone welcome. Please RSVP: nicol.phillips@thesquareclub.com

Exhibition Dates: Thursday 30 April until Monday 3 August, Open Daily: 10am – 6pm

Location: Square Club, 15 Berkeley Square, Clifton, BS8 1BH

Thelma Hulbert Open Exhibition

                                                                                                                                                                                                                                                                                THG_OPEN_logo

I am delighted that ‘Runghead’ has been selected for the Thelma Hulbert Open Exhibition

The private view will take place this  Saturday 12th July,  2 – 4pm

Prize giving will be at 3pm

Exhibition dates: 12 July 2014 – 23  August 2014

For more info, please visit the gallery’s website www.thelmahulbert.com

“The THG Open celebrates the rich and varied talent of artists living in the South West.

A perfect opportunity to view and purchase work by some of the best established and emerging artists from across the region, as well as an opportunity to vote for your favourite work to win our popular Visitors’ Choice prize.”

'Runghead' Gouache and Pencil on Watercolour Paper 24 x 67 cm

‘Runghead’ Gouache and Pencil on Watercolour Paper 24 x 67 cm