Artist Interview – Sarah Hoskins
As part of our current Square gallery exhibition titled ‘Finding Form’ that is showcasing the work of Sarah Hoskins and Stephen Park we asked Sarah a few questions about her practice and arts career so far. You can read her answers below:
1) You graduated from Wimbledon School of Art and then completed a Post-Graduate at the Cyprus College of Art – what are the main ways that your arts education influenced your practice?
I spent 9 months in Cyprus doing my Post-Graduate Diploma. The late Stass Paraskos was the Principle; he belonged to an earlier era. He was unselfconscious and had retained his naive enthusiasm. Technically not a tutor, but there everyday and working alongside us he rekindled an attitude in me towards ‘making’ as a primary thing which I had lost at Wimbledon. I had gained a lot from being there but I had also acquired an unhelpful internal voice and this was shut down in Cyprus. That was a turning point.
2) Since graduating you have exhibited in the UK and internationally – please can you tell us about any shows you’ve been a part of that really stand out for you and why?
In 2010 I returned to the Cyprus College of Art as a resident artist. I stayed on to become the head of their Foundation course, so I was there for three years in total. My current working methods and obsessions were born during this time. My first public exhibition of this work was in the college gallery not long before I returned to England, and was very well received. There was something very complete and satisfying about this whole episode from inception to exhibiting.
3) Have you always worked in colour?
Yes, I find it hard not to use colour. Colours transform each other and surprise me. I always enjoy this and it is inexhaustible.
4) What is it about shape and form that interests you?
I think ‘interest’ is the wrong word. It’s more of a compulsion. An involvement that is a bit like solving puzzles, but it is driven by a desire to make something that is new and whole that wasn’t there before. I think of my pictures as things that grow, like a tree or an aubergine.
5) Who/ what are your main influences when making new work?
In the past I worked through the influences of different artists. Many were obvious like Picasso and Matisse, others less so. The most recent was Jessica Stockholder, but these days I am more influenced by my garden, which is actually a cluster of potted plants outside my house.
6) Why do you choose gouache as a medium?
Gouache suits my work because it is clean, flat, matt and you can overlay it without losing opacity.
7) In the current Square exhibition ‘Finding Form’ your work is presented alongside Stephen Park’s – how do you feel this pairing invites new readings of your work? Is this the first time you have exhibited in the same show?
We have an understanding of what the other is doing and I think our work is complementary. Exhibiting together feels like a natural thing to do.
8) Do you have any upcoming exhibitions/ how do you envisage your practice developing in the future?
My pictures are very time consuming to make, so I don’t expect to exhibit until early next year, except for opening my studio in September. I am beginning to explore the possibility of working on a larger scale and perhaps working in oil paint.
**All works in the exhibition are for sale and can be viewed from 10am – 6pm daily. With sales enquiries please email: email@example.com.**
I am delighted that ‘Runghead’ has been selected for the Thelma Hulbert Open Exhibition
The private view will take place this Saturday 12th July, 2 – 4pm
Prize giving will be at 3pm
Exhibition dates: 12 July 2014 – 23 August 2014
For more info, please visit the gallery’s website www.thelmahulbert.com
“The THG Open celebrates the rich and varied talent of artists living in the South West.
A perfect opportunity to view and purchase work by some of the best established and emerging artists from across the region, as well as an opportunity to vote for your favourite work to win our popular Visitors’ Choice prize.”
My version of the poster
Stephen Park’s version of the poster